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Downtown Express photo by Jefferson Siegel
Sen. Hillary Clinton left the World Trade Center site Monday, before traveling to Washington for the State of the Union speech Tuesday.
ARTS
Unlocking the vault: Drivin’ that train
By Todd Simmons
Saturday night was the first of two concerts at the World Financial Center’s Winter Garden featuring songs from the seminal Grateful Dead albums, “Workingman’s Dead” and “American Beauty.” Despite frigid winds blowing off the Hudson outside, an overflow crowd came out for a free show by an eclectic lineup of musicians who put their own spin on the songs of the late psychedelic jam band pioneers. Amazingly, over a decade after the passing of Jerry Garcia, the Dead can still draw a crowd.
Unlocking the vault: The songs that filled the air
By Nicole Davis
When emcee John Schaffer, host of WNYC’s Soundcheck, introduced the second half of the American Beauty Project on Sunday night, he was quick to let everyone in the audience know that the previous evening’s performance was the first time in years the Winter Garden had reached full capacity in 30 minutes no less. But if Saturday was the show that packed the house, Schaffer promised the crowd that organizers had “saved the heavy artillery for tonight.”
Theater
Sit-com stars hold their own in ‘The Scene’
By Scott Harrah
Theresa Rebeck’s “The Scene” is loaded with clichés and surprises. In fact, when the lights come up for intermission, one may feel this is simply a well-acted but fairly standard dramedy about how a younger woman wreaks havoc on a middle-aged married couple in show business. However, within the first 10 minutes of the second act, it’s evident that this is a dark, engrossing drama that borders on the tragic.
The A-List
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Listen to Tribeca Radio:
Express associate editor Josh Rogers and reporter Skye McFarlane talk about Sen. Hillary Clinton and 9/11-related health issues and West St. traffic safety. They also discuss the Tribeca waterfront and presidential politics with Julie Nadel, a member of the Hudson River Park Trust board and chairperson of the CB 1 Waterfront Committee.
PREVIEW PODCAST BY TRIBECA RADIO
NEWS
Spitzer nixes dangerous change on West St.
By Skye H. McFarlane
The latest score on West St. is in: Community 1, State Department of Transportation 2... minus two left-hand turn lanes, that is.
A class where you can throw paper airplanes
By Brooke Edwards
Stars hang from the ceiling of room 100 at Corlears Junior High in Chinatown. There is a giant flight simulator projected onto a three-foot half-dome in the corner. The room decorated in futuristic black, silver and gray is filled with 13 computer stations surrounded by model airplanes and space shuttles, remote-control robots and satellite photographs of the earth.
City balking on rec field for East River’s Pier 15
By Skye H. McFarlane
Ordinarily, it’s a good sign when a preview leaves the audience hungry for more. Unfortunately, the city’s preview of its latest plan for the East River waterfront left an audience of community members demanding more information and greater assurances that recreational space will not be sacrificed for commercial interests.
Downtown warrior monk fights for strong minds, bodies
By Judith Stiles
Shi Yan Ming’s parents had three children who died of starvation, and when he became ill, his parents sold their last worldly possession, a fountain pen, to buy medicine. The treatment did not work, and as his parents were preparing to bury him in China’s rural Henan province, they serendipitously met a poor acupuncurist on the side of a road who miraculously cured him with only a few needles.

Residents: Filming the apocalypse creates pandemonium
By Brooke Edwards
Emotions range from thrilled to furious and everything in between at the conversion of the Seaport Historic District into an apocalyptic war zone for the latest filming of “I am Legend” starring Will Smith.
The kings of carne asada
By Nicole Davis
It’s Restaurant Week in New York, an egalitarian dining tradition in which normally expensive restaurants offer prix fixe meals for cheap. Another way restauranteurs can cut down on costs: don’t open a restaurant at all.
Mike Daisey’s life before wartime
By Jennifer DeMeritt
Mike Daisey has a gigantic head. In his new one-man show at the Public Theater, his expressive face, glowing baby pink or flamingo red, mirrors his explosion of ideas on everything from the sensation of his wife in his arms to the “ecstatic dirtiness” of the New York City subway system.
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