The Penny Post
By Andrei Codrescu
They say about the Sixties, if you remember them you werent there, but that isnt exactly accurate. What people mean to say is that some of the experiences they had then were indescribable. It is possible, for instance, to remember becoming a cauldron of emotions or a quiver full of thoughts that ended up piercing you in every soft part of your body during an acid trip, or the texture of a day spent yammering with your brilliant pals in a crash pad plastered with psychedelic posters, or the bracing feeling of being hit on the head with a nightstick by a mounted policeman at an anti-war demonstration, but its impossible to describe those things vividly enough for anyone who wasnt there. Writers of my generation have always bemoaned the lack of a single book capable of capturing the decade significantly. There are many books that can give veterans flashbacks, such as Tom Wolfes book on Ken Kesey, or Keseys own novels, Tom Robbins magical mushroom sentences, Richard Brautigans Peter-Pan-nish heroes, Ed Sanders reports from Hades, or Lenore Kandels patchouli-suffused orgy chants, but there is no single book that, like the Bible, contains both veteran flashback inducement and novice immersion.
Now here is a book that comes close: In the House of my Fear by Joel Agee. Joel Agee, the son of the famed Depression-era writer James Agee, was raised in East Germany by his mother and stepfather, a well-known East German writer. Joels half-brother Stefan was a precocious schizophrenic genius who committed suicide at the height of the hippie age, after searching unsuccessfully for spiritual illumination from gurus and teachers. Joel followed his brothers search for enlightenment with an intensity made possible only by the zeitgeist of a crazy time when psychedelics had created a huge thirst for God in young people. The miserable war-waging society of dull squares that fought the young in the Sixties made the whole God-seeking enterprise heroic. In Joel Agees case, it certainly was. Determined to live in a communal household of people powered by spiritual principles, Joel runs through innumerable quasi-tragic when not comic trials along the nomad trails of the Sixties. At some point in London, abandoned by his sensible but devoted wife and his beloved daughter, Joel becomes God. Given this weighty job, he stays awake for months for fear that if he falls asleep the world will crumble. How he eventually pulls out from the depths of the abyss without forgetting what Henri Michaux called the miserable miracle of the journey, is the subject of this magnificent story. Written from the shore of sanity, the book dives fearlessly back into the Rimbaudlian hells and the Blakean ecstasies and brings back what is almost the account of the Sixties we so long bemoaned the lack of.
I say almost because the Sixties were as unique as fingerprints when you fail to describe them, but as communal as a sauna when you recall. Agee writes uniquely, succeeds communally, and leaves the mystery still calling.