Our best bets, 2.0
BY SCOTT STIFFLER
Last week, we took a look at a mere twenty of the dozens and dozens and dozens of shows which comprise FringeNYC that annual marathon smorgesboard of theater, dance and miscellaneous oddities packed with more thespians than a barrel full of bloated, budget-busting Broadway babies.
Here are a few more of the many offerings taking place through August 30.
Now in its thirteenth year, this wildly uneven, curiously curated multi-arts festival has birthed many genuine works of genius while bestowing its seal of approval on more than one yawn-inducing, head-scratching debacle. Often rough and frayed at the edges but ultimately elegant in form and noble in function, its $15 per-show ticket price means you can take more than a few chances before your bill totals the cost of just one Broadway show. For FringeNYC tickets and information, visit www.FringeNYC.org or call 866-468-7619. Discount passes to multiple shows are available.
Photo by Burrow Beckerman
Elizabeth Audley and her car, Timmy, traveling All Over
FringeNYC: Where its at
FringeNYC is a great opportunity to reconnect with (or discover) some of downtowns most creatively ambitious theaters. Heres information on all of the FringeNYC venues. Drop by or visit them online to discover whats playing all year long.
VENUES #1, #2 CSV Cultural and Educational Center (Milagro) and CSV Cultural and Educational Center (Flamboyan), 107 Suffolk Street (Rivington & Delancey Streets; csvcenter.com)
VENUE #3 Dixon Place, 161A Chrystie Street (Rivington & Delancey Streets; dixonplace.org)
VENUE #4 The Connelly Theater, 220 East 4th Street (Avenue A & Avenue B; connellycenter.org/theatre)
VENUE # 5 Theatres at 45 Bleecker The Lafayette Street Theatre, 45 Bleecker Street (at Lafayette; myspace.com/45bleecker)
VENUE #6 The Robert Moss Theatre, 440 Lafayette Street, 3rd Floor (Astor Place/ East 4th Street; 440studios.com)
VENUE #7 Manhattan theatre source, 177 MacDougal Street (8th and Waverly Place; theatresource.org)
VENUES #8, #9 The Players Theatre and The Players Loft, 115 MacDougal Street (West side of MacDougal, just south of West 3rd Street; theplayerstheatre.com )
VENUE #10 Minetta Lane Theatre, 18 Minetta Lane (6th Avenue & MacDougal Street; 212-420-8000)
VENUE #11 The Actors Play-house, 100 Seventh Avenue South(Grove & Bleecker; actorsplayhouse.org)
VENUE #12 The New School for Drama Theater, 151 Bank Street (West & Washington Streets; drama.newschool.edu )
VENUE #13 The Cherry Pit, 155 Bank Street (West & Washington Streets)
VENUES #14, #15 The Cherry Lane Theatre and The Studio @ Cherry Lane Theatre, 38 Commerce Street, (7th Avenue & Hudson Street; cherrylanetheatre.org)
VENUE #16 The SoHo Playhouse, 15 Vandam Street (6th Avenue & Varick/7th Avenue; sohoplayhouse.com)
VENUES # 17, #18 HERE Arts Center (Mainstage) and HERE Arts Center (Dorothy B. Williams Theater), 145 6th Avenue (Enter on Dominick, one block S of Spring; here.org)
Writer/performer Elizabeth Audleys story about optimism, patriotism and driving around is based on the silly, strange, quirky adventures from a very long 2007 summer road trip during which she developed an enormous crush on America. At The Actors Playhouse.
AMERICAN JAKATA TALES
Classic Indian Buddhist stories are retold for your amusement in an allegorical, supremely American manner. Take a trip down South with the Buddha and discover what needs to be learned in this lifetime in order to be reincarnated as something better the next time around. At The Studio @ Cherry Lane.
BABY WANTS CANDY
The titular comedy troupe presents an improvised musical (with a full band) which is created when the audience shouts out titles of musicals that have never been performed before. The first title BWC hears, clearly, becomes the launching point for the next sixty minutes of spontaneously created comedy. At The Players Theatre.
BE THE DOG
Mankinds complex relationship with mans best friends gets put under a microscope in this tale (tail?) taken from the stories of Dave Eggars. Four actors play a variety of characters whose lives are all changed by one very exuberant dog. At The Robert Moss Theatre.
CAMP SUPER FRIEND
This kid-friendly story follows the adventures of Marvel a superhero who doesnt know how to be a super-friend (until he arrives at Super Camp and must rise to the challenge of saving his peers from the evil Professor Nemesis). At The Cherry Lane Theater.
This serious comedy centers around two obsessive linguists, a determined child and a charismatic guru. Together, this motley crew (each with their own agenda) clash over the power and perversion of language. At The Studio @ Cherry Lane Theater.
DANCES IN FUNNY
Five funny ladies bring movements as sharp as their wits to the table in this manic mashup of dance and original text that promises to be darkly danced; or danced funny; or some such combination of parts whose whole turns out to be something youve never seen before and certainly werent expecting. At The Robert Moss Theatre.
When ectoplasmic entities contact the Fox sisters of Hydesville, NY in 1848, the trance-driven practice known as Spiritualism is born. See mediums and spirits move within a supernatural soundscape, illuminated by light, projections and otherworldly oddities. This multi-media dance theater piece plays at The Robert Moss Theatre.
Just as an early winter storm moves in, two strangers meet at Chicagos OHare Airport. Bound together by proximity, and anonymity, they reveal their innermost secrets and, in the process, find both danger and refuge. At The Studio @ Cherry Lane.
JACK AND THE SOY BEANSTOCK
Wide Eyed Productions zany eco-friendly take on the timeless childhood fairy tale recasts the Giant as a big business baddie. Jacks lesson this time around involves self-reliance, conservation and good old fashioned ingenuity. This family-friendly show gets the job done with lots of comedy; and puppets! At Dixon Place.
M: AN ADAPTATION OF SHAKESPEARS MACBETH
This show sees Shakespeare performed by a compact trio of actors. The Three Witches use black magic and prophetic visions to morph into every character spinning a breakneck, abridged version of the well-worn tale whose name no superstitious thespian will say aloud. At The Actors Playhouse.
Four academics and a teenage girl get more than they bargained for when they break that rule about not getting personal when it comes to discussing politics. Academic ambition, Middle East conflicts, old affairs and new seductions all figure into the volatile mix. At The Players Theater.
When the town of Loki, North Dakota (population 8) gets one more mischievous resident, the original 8 must reconcile the temptations and opportunities of the modern world with the comfortable, convenient truths of life as they once, very recently, knew it. At SoHo Playhouse.
THE SONGS OF ROBERT
Writer/actor John Crutchfield plays all the parts in addition to playing a clawhammer banjo and slide guitar while singing. All that, and more, is done in the service of telling this tale (set in the south) of the difficulties faced by a teenage boy. At CSV Cultural and Educational Center.
One woman, ten characters and more than a few tall hats join forces for a wicked romp through the minds of those who worship at a Black Pentecostal Church in Brooklyn. Funny, devilish and heavenly all at the same time, this irreverent look at religion gets its groove from live gospel music and questions posed regarding faith, loss and hat size. At Dixon Place.
The fourth entry in a series of ecologically-inspired Planet Plays finds a community of ex-patriot twentysomethings on the volcanic surface of Venus. Their mission? Share a pancake breakfast and try not to self-destruct when a strange, beautiful girl suddenly appears to disrupt the proceedings. Hey, weve all been there. At CSV Cultural and Educational Center, Flamnoyan.
VICTORIA AND FREDERICK FOR PRESIDENT
Its 1872, and Victoria Woodhull is about to run for president (with Frederick Douglas as her VP). Many years before Clinton and Obama made history, Victoria and Frederick were blazing trails that would leave their modern counterparts in the dust. At The New School for Drama.
THE W. KAMAU BELL CURVE
Subtitled Ending Racism in About an Hour, this tidy, efficient multi-media performance takes sixty minutes to do what America hasnt been able to manage in several hundred years all at the hands of W. Kamau Bell (whos already secured his place in history by telling the very first Obama joke back in 2005). At The Players Loft.
Piper McKenzie (the theater company whose brains are the brawn behind Brooklyns Brick Theater) presents Willy Nilly a musical exploitation timed to coincide with 40th anniversary of the Manson family and the Tate-Labianca Murders. This self-proclaimed tasteless rocknroll spoof tells the tale of a filthy faux-Messiah, his cult of wanton women and high Hollywood murder through copious amounts of gore, gratuitous nudity and cruel stereotypes. The man behind this ambitious affront? Trav S.D. a Downtown Express contributor and prolific renaissance freakazoid. At Dixon Place.